<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"><channel><title>Felix Torres — Writing</title><description>Essays, field notes, and updates on music, technology, culture, and the work of building things that matter.</description><link>https://fdtorres.com/</link><language>en-us</language><item><title>Leaving FILARMONIKA, Building Resonance</title><link>https://fdtorres.com/writing/leaving-filarmonika-building-resonance/</link><guid isPermaLink="true">https://fdtorres.com/writing/leaving-filarmonika-building-resonance/</guid><description>After twelve years at FILARMONIKA Music Publishing, I&apos;ve left to build Resonance Music Press — publishing infrastructure where composers keep ownership of their work.</description><pubDate>Thu, 23 Jul 2026 00:00:00 GMT</pubDate><category>Update</category><category>publishing</category><category>filarmonika</category><category>resonance</category></item><item><title>Why Typography Matters for Arts Organizations</title><link>https://fdtorres.com/writing/why-typography-matters-arts-organizations/</link><guid isPermaLink="true">https://fdtorres.com/writing/why-typography-matters-arts-organizations/</guid><description>Most arts nonprofits underinvest in typography. Here&apos;s why that&apos;s a strategic mistake, not just an aesthetic one.</description><pubDate>Tue, 10 Feb 2026 00:00:00 GMT</pubDate><category>Field Note</category><category>design</category><category>typography</category><category>arts-organizations</category></item><item><title>Building Tools You Wish Existed</title><link>https://fdtorres.com/writing/building-tools-you-wish-existed/</link><guid isPermaLink="true">https://fdtorres.com/writing/building-tools-you-wish-existed/</guid><description>On the strange productivity of building software for your own problems — and why musicians might be better positioned for it than they think.</description><pubDate>Tue, 20 Jan 2026 00:00:00 GMT</pubDate><category>Essay</category><category>technology</category><category>tools</category><category>music-tech</category><category>design</category></item><item><title>Orchestral Programming as Cultural Reclamation</title><link>https://fdtorres.com/writing/orchestral-programming-cultural-reclamation/</link><guid isPermaLink="true">https://fdtorres.com/writing/orchestral-programming-cultural-reclamation/</guid><description>Why the works we choose to perform matter as much as how we perform them — and what it means to put Latin American composers on the same stage as the European canon.</description><pubDate>Mon, 15 Dec 2025 00:00:00 GMT</pubDate><category>Essay</category><category>conducting</category><category>programming</category><category>latin-america</category><category>orchestral</category></item><item><title>Progress Through Preservation</title><link>https://fdtorres.com/writing/progress-through-preservation/</link><guid isPermaLink="true">https://fdtorres.com/writing/progress-through-preservation/</guid><description>A 2025 reflection from my time at Filarmonika: the most meaningful work isn&apos;t always invention — it&apos;s building infrastructure that helps culture endure.</description><pubDate>Thu, 13 Nov 2025 00:00:00 GMT</pubDate><category>Field Note</category><category>publishing</category><category>filarmonika</category><category>latin-america</category><category>catalog</category><category>from-linkedin</category></item><item><title>Where Art, Design, and Structure Overlap</title><link>https://fdtorres.com/writing/where-art-design-and-structure-overlap/</link><guid isPermaLink="true">https://fdtorres.com/writing/where-art-design-and-structure-overlap/</guid><description>Conducting taught me that creativity thrives in structure — a principle that shows up in web design, publishing, and the tools I build.</description><pubDate>Tue, 11 Nov 2025 00:00:00 GMT</pubDate><category>Field Note</category><category>process</category><category>design</category><category>conducting</category><category>technology</category><category>from-linkedin</category></item><item><title>Rehearsal as Conversation</title><link>https://fdtorres.com/writing/rehearsal-as-conversation/</link><guid isPermaLink="true">https://fdtorres.com/writing/rehearsal-as-conversation/</guid><description>A quick note on what changes when you stop thinking of rehearsal as instruction and start thinking of it as dialogue.</description><pubDate>Sat, 08 Nov 2025 00:00:00 GMT</pubDate><category>Field Note</category><category>conducting</category><category>rehearsal</category><category>process</category></item><item><title>MSO Wins 2025 American Prize in Community Orchestral Performance</title><link>https://fdtorres.com/writing/mso-wins-2025-american-prize/</link><guid isPermaLink="true">https://fdtorres.com/writing/mso-wins-2025-american-prize/</guid><description>The Mesquite Symphony Orchestra has been named the 2025 Winner of The American Prize in Community Orchestral Performance — a national recognition of the orchestra&apos;s artistic growth.</description><pubDate>Wed, 01 Oct 2025 00:00:00 GMT</pubDate><category>Update</category><category>mso</category><category>awards</category><category>conducting</category></item><item><title>Seven Years with the East Texas Youth Orchestra</title><link>https://fdtorres.com/writing/seven-years-with-east-texas-youth-orchestra/</link><guid isPermaLink="true">https://fdtorres.com/writing/seven-years-with-east-texas-youth-orchestra/</guid><description>7 years. 2,555 days. 55,000+ miles driven. 200+ rehearsals. My final concert with ETYO.</description><pubDate>Fri, 09 May 2025 00:00:00 GMT</pubDate><category>Update</category><category>conducting</category><category>arts-organizations</category><category>process</category><category>from-linkedin</category></item><item><title>Stepping Down from ETYO, Stepping Into Caminos del Inka</title><link>https://fdtorres.com/writing/stepping-down-from-etyo-stepping-into-caminos-del-inka/</link><guid isPermaLink="true">https://fdtorres.com/writing/stepping-down-from-etyo-stepping-into-caminos-del-inka/</guid><description>After seven years with the East Texas Youth Orchestra, I will conclude my tenure in May 2025 and become Managing Director of Caminos del Inka.</description><pubDate>Wed, 11 Dec 2024 00:00:00 GMT</pubDate><category>Update</category><category>conducting</category><category>arts-organizations</category><category>from-linkedin</category></item><item><title>How Bad Do You Want It?</title><link>https://fdtorres.com/writing/how-bad-do-you-want-it/</link><guid isPermaLink="true">https://fdtorres.com/writing/how-bad-do-you-want-it/</guid><description>I wanted to be a conductor when I started undergrad in 2002 and didn&apos;t have a real orchestral conducting job until 2018.</description><pubDate>Tue, 29 Aug 2023 00:00:00 GMT</pubDate><category>Field Note</category><category>conducting</category><category>process</category><category>from-linkedin</category></item><item><title>180 Minutes: Rehearsal Planning as a Puzzle</title><link>https://fdtorres.com/writing/180-minutes-rehearsal-planning-as-a-puzzle/</link><guid isPermaLink="true">https://fdtorres.com/writing/180-minutes-rehearsal-planning-as-a-puzzle/</guid><description>How I plan weekly rehearsals when 180 minutes has to cover 70 minutes of concert repertoire.</description><pubDate>Fri, 25 Aug 2023 00:00:00 GMT</pubDate><category>Field Note</category><category>conducting</category><category>rehearsal</category><category>process</category><category>mso</category><category>from-linkedin</category></item><item><title>How the Sausage Gets Made</title><link>https://fdtorres.com/writing/how-the-sausage-gets-made/</link><guid isPermaLink="true">https://fdtorres.com/writing/how-the-sausage-gets-made/</guid><description>A snapshot of one month across MSO, the Conducting Institute, ETYO, TXIOS, and Caminos del Inka — and a call to share more of the work behind the work.</description><pubDate>Thu, 24 Aug 2023 00:00:00 GMT</pubDate><category>Field Note</category><category>conducting</category><category>process</category><category>arts-organizations</category><category>from-linkedin</category></item><item><title>Programming by the Numbers: Holding Myself Accountable</title><link>https://fdtorres.com/writing/programming-by-the-numbers-holding-myself-accountable/</link><guid isPermaLink="true">https://fdtorres.com/writing/programming-by-the-numbers-holding-myself-accountable/</guid><description>A transparent audit of one MSO season — ethnicity, gender, living composers, and the budget it takes to program them.</description><pubDate>Tue, 27 Jun 2023 00:00:00 GMT</pubDate><category>Field Note</category><category>conducting</category><category>programming</category><category>process</category><category>mso</category><category>orchestral</category><category>latin-america</category><category>from-linkedin</category></item><item><title>Stop Shaming First-Time Concertgoers</title><link>https://fdtorres.com/writing/stop-shaming-first-time-concertgoers/</link><guid isPermaLink="true">https://fdtorres.com/writing/stop-shaming-first-time-concertgoers/</guid><description>If we shame first-time visitors with archaic rules, they will not come back.</description><pubDate>Sun, 05 Mar 2023 00:00:00 GMT</pubDate><category>Field Note</category><category>orchestral</category><category>arts-organizations</category><category>process</category><category>mso</category><category>from-linkedin</category></item><item><title>Why I Track What I Program</title><link>https://fdtorres.com/writing/why-i-track-what-i-program/</link><guid isPermaLink="true">https://fdtorres.com/writing/why-i-track-what-i-program/</guid><description>Several years ago I began tracking repertoire by gender, nationality, and year composed — and made a commitment to diversify.</description><pubDate>Sat, 10 Sep 2022 00:00:00 GMT</pubDate><category>Field Note</category><category>conducting</category><category>programming</category><category>process</category><category>mso</category><category>from-linkedin</category></item></channel></rss>